CHARIS HANNING

Jacquin Trio
An audacious classical chamber ensemble, the Jacquin Trio are dedicated to exploring, expanding and celebrating music for the inimitable combination of clarinet, viola/violin and piano. Winning both the Royal Overseas League and St Martin in-the-Fields Competitions, the Jacquins have been making music together for the best part of a decade.
The trio take their name from the von Jacquin family – the original dedicatees of Mozart’s famous Kegelstatt Trio. With a line up that allows them the rare freedom of music for both violin and viola trio in a single concert, they have a vast and varied repertoire at their fingertips; from works by Mozart, Beethoven, Bruch, Schumann and Kurtag to Stravinsky’s virtuosic violin writing in The Soldier’s Tale or Bartok’s Contrasts.
Noted for their lively audience rapport and ease in a variety of settings, the Jacquins bring passion, energy and a raucous sense of fun to every performance. They were privileged to benefit from a long association with Live Music Now, where they developed a strong commitment to taking music outside of the concert hall. In 2015 they were ensemble in residence at The Forge, Camden, where they curated an adventurous series of their own, exploring some of their favourite music past and present, and in 2019 they toured New Zealand premiering their own arrangement of Brahms' Trio Op. 114.
They have had numerous new works written for them, most recently the award-winning Charlotte Bray’s Blaze and Fall, which was premiered at St John’s Smith Square, and an ongoing set of miniatures by eminent composer Colin Matthews
Florian Ensemble
Old meets new in a unique chamber ensemble. Using historical evidence to explore new horizons for classical music, the Florian Ensemble is a flexible chamber group of strings and piano with an intensely independent perspective on music, history and imagination.
Supported by an in-depth study of recordings made by the Czech (formerly Bohemian) Quartet in the late 1920s, their playing aims to transcend modern expectations of how musicians should interact. This engagement with early recordings opens up brand new ways of hearing and experiencing even the most familiar scores, learning from the vulnerability, intensity and involvement of performers from generations ago to show that music and its meaning is constantly changing.

